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Tytuł pozycji:

النقد الثقافي في الخطاب التشكيلي المعاصر. (Arabic)

Tytuł:
النقد الثقافي في الخطاب التشكيلي المعاصر. (Arabic)
Autorzy:
روضان, حمدية كاظم
Temat:
SOCIAL criticism
POSTMODERNISM (Art)
SOCIAL history
ARTISTIC style
ECONOMIC globalization
Alternatywny tytuł:
Cultural criticism in the contemporary plastic discourse The. (English)
Źródło:
Larq Journal for Philosophy, Linguistics & Social Sciences; 2021, Vol. 2 Issue 41, Part 2, p781-802, 22p
Abstract (English):
The current research is an attempt to inside the texts, trends and methods of artistic texts by linking them to cultural criticism or civilization criticism, which is the criticism of a culture on root grounds. Often this criticism is intertwined from a social point of view with the theory of culture and it deals with the idea of revealing the implicit cultural systems, in society and culture, and therefore it is sequential and simultaneous at the same time, as it strikes in the depth of civilization and contributes to determining the cumulative cultural destination, and on the other hand it monitors the immediate developments For a cultural act. The current research consists of four chapters. The first chapter of the research includes an introduction to the research problem, the importance of research and the need for it. As for the aim of the research, it was determined to identify the concepts and characteristics of cultural criticism in the contemporary plastic discourse. The researcher analyzed the most important terms mentioned in the research. The second chapter included two topics. The first represents cultural criticism: the concept and characteristics. As for the second topicin include Embedded consistency in post modernism. As for the third chapter, it contained the research procedures and included, the research community, sample chosen and analysis, which amount to (6) models. The research adopted the descriptive method and analysis approach in analysis the sample. The fourth chapter came with the results of the research and conclusions as well as recommendations and proposals, and among the most prominent findings of the researcher. 1-The products of postmodern arts reveal in their apparent formats the dominance of implicit systems that represent the true motives of the artist and the recipient and which represent a reflection of the social and economic conditions in globalization and post modernism societies. From the conclusions 1-The styles of postmodern artistic expression varied with the changing trends and ideas of creators who express their positions on the world of speed, consumption and cross-cultural media . [ABSTRACT FROM AUTHOR]
Czasopismo naukowe
Copyright of Larq Journal for Philosophy, Linguistics & Social Sciences is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

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