Who Killed Classical Music Criticism: Social Strategies of Music Journalism Today.

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Abstrakt

Tytuł:: Who Killed Classical Music Criticism: Social Strategies of Music Journalism Today.
Autorzy:: MELNYK, Lidia
Temat:: SOCIAL criticism
JOURNALISM
MUSICAL criticism
PRESS criticism
PUBLIC relations
PUBLIC interest
CONTEMPORARY classical music
Alternatywny tytuł:: Kas nužudė muzikos kritiką. Socialinės muzikos žurnalistikos strategijos. (Lithuanian)
Źródło:: Musicology of Lithuania / Lietuvos muzikologija; 2019, Issue 20, p20-30, 11p
Abstract (English):: If music criticism has been killed, who killed it, and which strategies has it developed for survival? First, I should define the most important criteria for an assessment of music criticism and music journalism because the terms do not mean the same thing. Music criticism today is framed within specific topics and has a homogeneous recipient audience. Music journalism is again seeing such a challenge of new time. Its messages are addressed to a wider audience and deal with more problems that have a social, ideological, or political bent. Crucially, the status of music journalism is also defined by how far music journalists take notions of public interest. These new challenges may have "killed" classical music criticism, but they have also revived it and helped it develop. Currently, four fundamental strategies of cultural journalism exist (Stegert) which are also used for music journalism--informatization, personification, exploration, and popularization. These four strategies are compared with basic public relations models (Grunig/Hunt). [ABSTRACT FROM AUTHOR]
: Czasopismo naukowe

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