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Tytuł pozycji:

The Poetics of 'Pure Invention': John Banville’s Ghosts / A Poética da 'Invencão Pura': Ghosts, de John Banville

Tytuł:
The Poetics of 'Pure Invention': John Banville’s Ghosts / A Poética da 'Invencão Pura': Ghosts, de John Banville
Autorzy:
Neil Murphy
Temat:
ghosts; pure invention; invenção pura; pinturas; paintings; intertexto; intertext; narrativa; narrative; vaublin.
History (General) and history of Europe
Źródło:
ABEI Journal, Vol 22, Iss 1, Pp 109-120 (2020)
Wydawca:
Associação Brasileira de Estudos Irlandeses, 2020.
Rok publikacji:
2020
Kolekcja:
LCC:History (General) and history of Europe
Typ dokumentu:
article
Opis pliku:
electronic resource
Język:
English
Portuguese
ISSN:
1518-0581
2595-8127
Relacje:
http://revistas.fflch.usp.br/abei/article/view/3851; https://doaj.org/toc/1518-0581; https://doaj.org/toc/2595-8127
DOI:
10.37389/abei.v22i1.3851
Dostęp URL:
https://doaj.org/article/cc3b7fdc58104c8ca0b52d775bbf6346  Link otwiera się w nowym oknie
Numer akcesji:
edsdoj.3b7fdc58104c8ca0b52d775bbf6346
Czasopismo naukowe
Abstract: This essay argues that John Banville’s Ghosts (1993) may in fact be Banville’s most technically inventive novel, replete as it is with multi-layered ontological levels that repeatedly bring its primary diegetic discourse into communion with other artistic forms – music, paintings, statues, as well as a narrative saturation with other literary antecedents that exceeds anything found elsewhere in his work. Ghosts demonstrates an implicit layering of dialectical levels, in effect a narrative enactment of the multiple worlds theory that so fascinates several of Banville’s narrators. Nowhere else does he generate so comprehensive a model of a multi-level ontological system in which the levels intersect so purposefully as Ghosts. This essay maps out a topography of what is effectively a sophisticated fictional variant on the scientific multiple worlds theory in Ghosts, and offers some perspectives on the significance of this aesthetic model. Resumo: Este ensaio argumenta que Ghosts (1993), de John Banville, pode considerado o romance mais tecnicamente inventivo de Banville, repleto de níveis ontológicos com diversas camadas que trazem, repetidamente, seu discurso diegético primário em comunhão com outras formas artísticas – música, pinturas, estátuas, bem como uma saturação narrativa com outros antecedentes literários que excedem qualquer coisa encontrada em outro lugar em sua obra. Ghosts demonstra uma camada implícita de níveis dialéticos que são, de fato, uma encenação narrativa da teoria dos múltiplos mundos que tanto fascinam muitos dos narradores de Banville. Em nenhum outro lugar ele gera um modelo tão abrangente de um sistema ontológico com diferentes níveis que se cruzam tão propositadamente quanto em Ghosts. Este ensaio mapeia uma topografia do que é efetivamente uma variante fictícia sofisticada da teoria científica de múltiplos mundos em Ghosts, e oferece algumas perspectivas sobre a importância desse modelo estético.

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